The novel has always been the art form most committed to individual consciousness. In an age that doubts the coherence of the self, that commitment has become a problem.
First-person nonfiction has become the dominant literary form of the past two decades. What this says about what we want from reading — and what we may be losing.
Every decade announces the death of serious fiction. Every decade is wrong. What the current moment in American letters actually looks like — from inside it.
When historians write about the past, they are always partly writing about the present. The current wave of popular history reveals what we are most anxious about — and what we are most determined to avoid seeing.